Tracey Emin - The Artist and the Innovator

English artist, Tracey Emin was born on July 03, 1963 in Croydon, London, United Kingdom. She spent most of her introductory years in Margate, Kent, London, and had a tumultuous childhood. Emin's father was a Turkish Cypriot and owned a Hotel in Margate. The living acceptable of the artist's family declined after her father's firm collapsed. Moreover, it was found that he was having an extra marital affAir. Tracey Emin was also raped when she was around fourteen years old. Most of the themes of her paintings are a reflection of these troubled times.

Tracey Emin, one of the so-called Young British Artists (Ybas), also known as Britartists, studied fashion at the Medway College of design, during 1980-82. Here she met Billy Childish, who went on to be her temporary boyfriend until 1987. during this phase, Tracey's paintings were 'Expressionist' in style. Her association with Billy gave rise to 'Stuckism' movement in 1999. She studied printmaking art at the Maidstone Art College (1984), after which she came back to London and did her M.A. In painting in 1987, at the Royal College of Art. The works of Edvard Munch and Egon Schiele significantly influenced her during this time. Later, Tracy Enim also studied philosophy at Birkbeck, University of London. Following her abortion, the artist painted the series, "Abortion Watercolor," in 1990. In 1993, the artist opened a shop, The Shop, in Benthal Green with her contemporary Sarah Lucas. The shop displayed the artworks of the duo. All this while, Tracey Emin was simultaneously working with the gallery owner, Joshua Compston too.

The Artists

In 1994, the artist did her first solo exhibition called "My Major Retrospective," at the White Cube Gallery, London. Here she displayed her earlier works, photographs that she had destroyed, and some random items. This lack of order and unpredictability in her works later became one of her trademarks. By around 1995, Tracey Enim started finding a gallery owner, Carl Freedman. Still unknown to many in the communal domain, Tracey Emin shot to fame and gained requisite notoriety, rivaled only by Damien Hirst of the Yba's, when she apPeared drunk on one of the channel 4 Tv programs in 1997. In 1999, Emin was nominated for Turner prize for one of her most controversial facility works, "My Bed," which was also showcased at the Tate Gallery. Other polemical works by Emin include the tent, "Everyone I Have Ever Slept With (1963-95)" and the monoprint drawings of both the communal and the inexpressive life of Princess Diana, such as "They Wanted You to Be Destroyed (1999)." In 1997, Tracey Emin released her autobiographical film called "Cv Cunt Vernacular," where she recounted in detail, her early days at Margate, her life as a student, and her successes & failures. Later, in 2004, she had a movie released called "Top Spot," which she refused to promote and distribute, as it was given an 18 certificate by the movie censors. In 1999, she converted the beach hut at Whitstable "The Last Thing I Said to You is Don't Leave Me Here." The artwork was destroyed in a fire rage in 2004.

Tracey Emin - The Artist and the Innovator

Tracey Emin started concentrating more on painting since 2004. "Purple Virgin (2004)," "Asleep Alone With Legs Open (2005)," "the Reincarnation (2005) series," "Masturbating (2006)," "Rose Virgin (2007)," "Get Ready For The Fuck Of Your Life (2007)," and "Red Girl (2007)," are some of her most noted modern works. In March 2007, the artist was elected as a Royal Academician for the Royal Academy of Arts, London. She represented Britain the same year at the Italian contemporary art exhibition, Venice Biennale. Tracey Emin likes to experiment with any different materials. She conveyed her feelings through different modes, such as neon lights in "You Forgot to Kiss My Soul," fabrics, needlework, sculpture, drawing, video, installation, photography, and paintings. Presently, Tracey Emin teaches confessional art at the EuroPean Graduate School. The artist is passionately complicated in charities too.

Tracey Emin - The Artist and the Innovator

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Josephine Baker - The Last of the Great Burlesque Artists - Was the Toast of Paris in the 20s

Josephine Baker was one of the most preeminent acts of the early 1920's, one of the first major black stars and one of the last preeminent burlesque starlets.

Early Life

The Artists

Josephine Baker was born in 1906. She had what might charitably be called a... Very unique look. She was the daughter of a white or perhaps mixed race father and an African American mother who worked as a launDress in St. Louis, Missouri. Her movements were Baker's gangling and had an endearing, goofy grin as seen in most existing photos.

Josephine Baker - The Last of the Great Burlesque Artists - Was the Toast of Paris in the 20s

She quit school at age twelve to work and by age 15 was dancing in a chorus line. By 17 she had already been married twice and it was her second husband, a Pullman railroad porter, Willie Baker, whose name she used for the rest of her life.

Taking the Stage by Storm

In 1924 Josephine won a part in the chorus of the preeminent Harlem Cotton Club show Chocolate Dandies. She also apPeared in the Broadway revue Shuffle Along and by 1925 was apPearing in Paris's Theatre des Champ-Elysees.

Her entry electrified the roaring 20's audiences - she was naked except for a skirt of feathers and slung over the shoulders of a large muscular actor.

Ernest Hemingway, living in Paris at the time, called her "the most sensational woman anyone ever saw."

When the troupe moved to Germany, Josephine stayed behind in Paris and joined the Folies Begere. She apPeared in her trademark skirt - this time of phallic stuffed bananas.

Critics - Who Remembers Their Names?

Not every person loved Baker. Critics called her dance "laughable" (the were just comic variations on the Charleston and Camel Walk) and she was harassed by racists who thought about her to be inferior to the white French.

But most Parisians loved her. She was something new to them - a "simple tribal woman" who did acrobatic, semi-nude dances and made a joke of sex while staying somehow intensely provocative.

Success and Fame

Josephine married her manager (after having numerous, public affAir with many of the important men in Paris and elsewhere - though never Papa Hemingway as far as is known) and he orchestrated her later career.

Her had her name attached to any "memoirs" and "confessions" and even a novel. He had her train her voice and she recorded six songs which became hits. She made any films including Zouzou (in 1934) and Princesse Tamtam (1935). Though she was not an fulfilled, actress, her fame grew further.

She was also known to arrive at the set with her private zoo - including a chimp, a piglet, a goat, a snake, many parakeets, Fish, three Cats, seven dogs, and a cheetah (which wore a Diamond collar and sometimes escaped, causing the crew to scatter.)

She became a French population in 1936 after a disastrous American tour and was active with the Resistance during World War Ii. She was awarded the Legion d'Honneur in 1961.

Josephine Baker died in 1975.

Josephine Baker - The Last of the Great Burlesque Artists - Was the Toast of Paris in the 20s

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