Wednesday, March 27, 2013

Sketching Drawing - The Best "Artists Eye" Tool

Sketching Drawing - The Best "Artists Eye" Tool





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There is an old saying "You never stop learning" and this is so true when it comes to developing your 'Artists Eye'. As with most skills of value, developing your 'Seeing' without acceptable help can take a very long time and so, when learning drawing, it is better to have a quicker method.

The 'Artists Eye'

What do we mean when we say "with an Artists eye"? Usually, we use this expression to differentiate in the middle of the normal, day to day, looking at the world (which all usually sighted citizen do) and that extra way of seeing the world that creative artists from all mediums use. When you look at the world through your artists' eye you see much more than you do when simply going about your daily routine. This is because a trained artist has learned how to precisely see the world colse to them in terms of: light and shadow, forms, shapes, lines, colour, proportions, perspective, negative space, and the whole gamut of optical perception tools. With our artists eye we see the world in all of its glory!

How to organize your own Artists eye

The qoute when learning drawing is that it takes time to understand and then operate the role of our dominant left-brain and its sway on our ability to see in that extra artists way. Someone else issue we have to articulate with is how we precisely see our surroundings. When we look at a scene we do not take in the whole scene at one go (like a camera does when development a photograph) but instead collect the optical facts in smaller units. These parts are then assembled in our mind to form the full impression of the scene. Our eyes precisely use a recipe of rapid movement called saccadic eye movement; your eyes permanently scan the scene to collect facts from the discrete parts to form the whole picture. This is perfectly natural and essential.

However, for an artist wanting to draw a scene or branch it is needful to join our concentration on a limited part of the scene, the area within our format limits, and collect the facts needful to make our drawing. Part of your development as an artist needs to be focussed on addition your observation skills. learning to precisely see the world; and not just look at it.

The best 'Artists Eye' tool

In my sense of teaching art subjects, and drawing in particular, I have found that the particular most superior aid to developing your artists' eye (and your ability to join on the needful part of the scene) is a viewfinder card. A viewfinder can be the simplest and cheapest tool you will ever use. The viewfinder is simply a rectangular (or square) piece of thin black card with a rectangular hole in the middle. The viewfinder card can be any size (I use a piece about 10x8 inches for drawing and a smaller 4x3 version for convention purposes) with an acceptable sized rectangular gap ,break in the center. Try the 10x8 inch card with a 5x4 inch gap ,break in the town (whatever size of card you use you need a fairly wide black border colse to your town aperture).

To use the viewfinder for training your artists' eye, simply hold it about 12 to 15 inches in front of an open eye (close the other eye) and carefully organize a pleasant scene within the aperture. Move colse to to convert your viewpoint and peruse discrete subjects and compositions. You will be amazed at how this uncomplicated gismo helps you join on what is foremost in the combination and exclude all things else surface the scene.

The viewfinder works because the black border isolates within the town gap ,break just the area of the larger scene that you want to consist of in your composition. Once you have practiced with the viewfinder for a short while, you will begin to see things that you hadn't noticed before. This indicates that your powers of observation and your artists' eye are developing.


Sketching Drawing - The Best "Artists Eye" Tool


The Artists



The Artists

Sketching Drawing - The Best "Artists Eye" Tool



Sketching Drawing - The Best "Artists Eye" Tool
Sketching Drawing - The Best "Artists Eye" Tool



The Artists

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Wednesday, March 6, 2013

Louis relieve Tiffany - The Artist Who Created Magic With Glass (1848-1933)

Louis relieve Tiffany - The Artist Who Created Magic With Glass (1848-1933)



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Louis comfort Tiffany, an American painter and 'Glass Designer,' was born on February 18, 1848, in the New York City, to Lewis Charles Tiffany, the creator & director of the jewelry retailers Tiffany and Company, and Harriet Olivia Avery Young. The chief innovator of glass technology, Louis comfort Tiffany was carefully a pioneer of the 'Art Nouveau' style, blended with 'Aestheticism.' Louis' glass artistry genres were stained glass windows, lamps, blown glass, glass mosaics, ceramics, enamels, jewelry, and metalwork.

The artist had his study from Pennsylvania troops Academy, Chester, Pennsylvania, and Eagleswood troops Academy, Perth Amboy, New Jersey. His art training in the Us happened under George Inness and Samuel Colman at New York, and under Leon Bailly at Paris. In May 1872, the artist married Mary Woodbridge Goddard, at Norwich, Connecticut. The concentrate was blessed with four kids. In 1886, Louis was remarried to Louise Wakeman Knox, after Mary had died. Louis had four children even from this marriage. Louis Tiffany started his art occupation with painting, getting attracted to 'Decorative Arts,' especially glassmaking, from around 1875. During 1875-78, the artist worked at several glass houses to polish his glass artistry skills.

Excellent in his works of stained glass painting, in 1879, the artist allied with noted designers, along with Lockwood de Forest, Candace Wheeler, and Samuel Colman, recognized as the Louis comfort Tiffany and connected American Artists. This firm dissolved in 1885. In December of the same year, Tiffany's sole rights glass firm, Tiffany Studios, came into existence, which breathed its last in 1932. In 1892, he founded the Stourbridge Glass enterprise (Tiffany Glass Furnaces) in New York, which specialized in producing stained-glass windows and glass mosaics. Louis Tiffany's brilliance can be seen in his attractive productions in glass and metal. He initiated the trademark 'Favrile' for his blown glass produced at this firm. Favrile went on to symbolize all his handcrafted goods of high quality. In 1902, Louis joined Tiffany & enterprise as Artistic Director, after his father's death.

The painter individually supervised his artisans and encouraged them to be as creative and ingenious as possible. No doubt, his diligence paid off and his work was hugely appreciated. His collections also included personel vases, bottles, & dishes in an array of dissimilar colors and techniques. His treatment with acid even gave his glass a shimmering corollary of an aged evacuated piece. He also made 'lava glass,' which replicated volcanic lava. One of the most intricate and the appreciated types of glasswork was 'cameo-style glass.'

Tiffany's competent metal works deservedly won several rewards. Metal alloys were used to fashion bowls, vases, boxes, desk sets, candlesticks, and lamps. A amount of polish and finishes were applied to the metalwork, to form an assortment of texture fluctuating from a shiny gold to a dark-green bronze look. Loudly colored enamels were also used on some pieces. The lamps had the tints of stained glass, fashioned in flower forms, geometric shapes, or tiles. Some of his most appreciated works are "Window of St. Augustine," in the Lightner Museum St. Augustine, Florida; "The Tree of Life stained glass;" "The Baptism of Christ," at Brown Memorial; "John the Baptist" at Arlington road Church in Boston. Louis comfort Tiffany died on January 17, 1933, and was cremated in Green-Wood Cemetery in Brooklyn, New York.

Undeniably, he was one of the few Americans drawn into this elite European movement, 'Art Nouveau.' His contributions live on as one of its most stylish statements. Repeatedly inspired by life & nature, Louis comfort Tiffany conceived his art as a solitary piece, gratis from the assiduousness of revivalism.


Louis relieve Tiffany - The Artist Who Created Magic With Glass (1848-1933)


The Artists



The Artists

Louis relieve Tiffany - The Artist Who Created Magic With Glass (1848-1933)



Louis relieve Tiffany - The Artist Who Created Magic With Glass (1848-1933)
Louis relieve Tiffany - The Artist Who Created Magic With Glass (1848-1933)

The Artists

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